Allen & Heath SQ-6 Digital Mixer + ATH-M30x Professional Studio Monitor Headphones + Interconnect Cable + Microphone Cable + 4 Instrument Cables + 4 XLR Mic Cables + Zoom H6 Portable Recorder + RipTie

Allen & Heath SQ-6 Digital Mixer + ATH-M30x Professional Studio Monitor Headphones + Interconnect Cable + Microphone Cable + 4 Instrument Cables + 4 XLR Mic Cables + Zoom H6 Portable Recorder + RipTie

Allen & Heath SQ-6 96kHz Digital ConsoleThe SQ-6 is a 48-channel digital mixer built around Allen & Heath’s XCVI 96kHz FPGA engine the same architecture family as the flagship dLive systems. Twenty-five motorized 100mm faders, 24 onboard mic preamps with..

$ 329

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Description

Allen & Heath SQ-6 96kHz Digital ConsoleThe SQ-6 is a 48-channel digital mixer built around Allen & Heath’s XCVI 96kHz FPGA engine the same architecture family as the flagship dLive systems. Twenty-five motorized 100mm faders, 24 onboard mic preamps with DEEP analog-modeled emulation, a 7-inch multi-touch capacitive screen, and sub-0.7 ms latency make this the console mid-size venues, touring engineers, and house-of-worship audio teams reach for when 48kHz competitors aren’t enough.SQ-Drive USB Recording + 32×32 USB InterfaceSQ-Drive captures 16 channels at 96kHz or 32 channels at 48kHz direct to a USB key no laptop, no soundcard driver. The 32×32 USB-B interface streams 24-bit/96kHz multi-track to Mac or Windows. SLink expansion grows the system to 48 mic inputs via stagebox.Zoom H6essential 32-Bit Float Field RecorderSix tracks of 32-bit float WAV from four XLR/TRS combo inputs with low-noise Zoom mic preamps and 48V phantom power, plus the included XYH-6e X/Y capsule rated to 135 dB SPL. Dual A/D converter circuits deliver effectively unlimited headroom clipped audio recoverable in post.ATH-M30x Closed-Back Studio HeadphonesAudio-Technica 40mm drivers tuned for enhanced detail and mid-range definition. Closed-back circumaural earcups block room sound consistent isolated reference for the engineer. 47 ohm impedance, 9.8-foot single-side cable, 1/4-inch snap-on adaptor.Complete Cable Kit IncludedFour 10-foot balanced XLR microphone cables for mic-to-console runs. One 5-foot 1/4-inch TRS to XLR for line-level patches. One 3-foot 3.5mm stereo aux cable for any 1/8-inch device into the system.Who This Is ForHouse-of-worship teams, touring engineers, corporate AV, school auditoriums, community theaters, broadcast operations running multi-channel live productions on a single cable inventory.
  • LIVE SOUND RIG WITH 96KHZ MIXER, 32-BIT FLOAT BACKUP, AND ENGINEER HEADPHONES: This bundle pairs the Allen & Heath SQ-6 96 kHz digital console with the Zoom H6essential 32-bit float recorder, Audio-Technica ATH-M30x closed-back headphones, and a cable kit. The H6essential captures a redundant 32-bit float multitrack of the desk output. The ATH-M30x sits in the engineer ears at the console position. A complete 96 kHz live mixing position with a redundant 32-bit float capture rolling under the console.
  • 96KHZ DIGITAL CONSOLE WITH XCVI ENGINE AND 25 MOTORIZED FADERS: Built for house-of-worship engineers, touring FOH ops, theater sound techs, and corporate AV mixers, the Allen & Heath SQ-6 runs at 96kHz on the XCVI FPGA engine — the same architecture family as the flagship dLive systems. Twenty-five motorized 100mm faders, 24 onboard mic preamps with DEEP analog-modeled emulation, and a 7-inch touch screen put every tactile control where the engineer needs it. Mix the show.
  • SQ-DRIVE USB RECORDING — 16 CHANNELS AT 96KHZ DIRECT TO A USB KEY FOR LIVE MIXING, BROADCAST, AND POST: The SQ-6’s onboard SQ-Drive captures 16 channels at 96 kHz, 32 channels at 48 kHz, or a stereo bounce direct to a USB key. No laptop, no soundcard driver, no rack. The engineer walks off after the show with the multi-track session ready to drop into the DAW for editing, archive, or broadcast post-production.
  • 24 ONBOARD MIC PREAMPS, 12 STEREO MIX BUSES, AND SLINK STAGEBOX EXPANSION TO 48 INPUTS: The SQ-6 ships with 24 recallable mic/line preamps onboard and 16 analogue outputs — sized for the main rig at a mid-size venue. The SLink port grows it to 48 total mic inputs via an Allen & Heath stagebox when the production scales up. Sub-0.7 millisecond round-trip latency keeps in-ear monitor mixes feeling natural for performers on stage.
  • ZOOM H6ESSENTIAL 32-BIT FLOAT RECORDER — 4 XLR INPUTS, DUAL A/D, NO LEVEL-SETTING REQUIRED FOR REDUNDANT CAPTURE: The H6essential records six tracks of 32-bit float WAV from four XLR/TRS combo jacks with low-noise mic preamps plus the included XYH-6e X/Y stereo capsule rated to 135 dB SPL. Dual A/D converter circuits deliver effectively unlimited headroom — clipped audio is recoverable in post. Acts as a USB-C 6-in/2-out audio interface while recording.
  • AUDIO-TECHNICA ATH-M30X CLOSED-BACK STUDIO HEADPHONES + COMPLETE CABLE KIT: The ATH-M30x runs 40mm drivers with rare-earth neodymium magnets and CCAW voice coils, 15 Hz to 22 kHz response, and 47 ohm impedance — drives loud and clean from the SQ-6 headphone output, isolates the engineer from the room. Four 10-foot balanced XLR cables, one 5-foot 1/4-inch TRS to XLR, and one 3-foot 3.5mm stereo aux cable wire the system.
  • COMPATIBLE WITH DANTE, WAVES SOUNDGRID, MADI NETWORKING, MAC, WINDOWS, IOS, AND ANDROID: The SQ-6 option card slot accepts Dante, Waves SoundGrid, MADI, and Optical Madi cards for broadcast and studio plant integration. SQ MixPad and SQ4You remote-control apps run on iOS, Android, Mac, and Windows — engineer tablet control plus up to 8 performer personal mix apps. The H6essential connects to Mac, Windows, iOS, and Android over USB-C as a 6-in audio interface.

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