Shure BETA 91A Kick Drum Microphone – Half-Cardioid Condenser Mic with Integrated Preamplifier and XLR Connector, Low Profile Design – Maximize Setup Efficiency While Minimizing Stage Clutter

Shure BETA 91A Kick Drum Microphone – Half-Cardioid Condenser Mic with Integrated Preamplifier and XLR Connector, Low Profile Design – Maximize Setup Efficiency While Minimizing Stage Clutter

Product Description BETA 91A Kick DrumView larger Shure BETA 91A Half-Cardioid Condenser Kick-Drum Microphone (Includes Integrated Preamplifier and Male XLR Output) Precision-engineered. Integrated preamp. Two-position contour switch for kick drum & other low-frequency applications. Product Details The Shure BETA 91A..

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Description

Product Description BETA 91A Kick DrumView larger Shure BETA 91A Half-Cardioid Condenser Kick-Drum Microphone (Includes Integrated Preamplifier and Male XLR Output) Precision-engineered. Integrated preamp. Two-position contour switch for kick drum & other low-frequency applications. Product Details The Shure BETA 91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPL). Features: Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis soundPrecision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutterFrequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environmentsTwo-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the low-mid scoop setting for a strong low frequency punch with plenty of higher frequency attackRequires no external mounting or accessories for ease of use and storageFurnished with zipper pouch From the Manufacturer For kick drums and other bass instruments, nothing compares to the Shure Beta 91. The Beta 91 condenser cartridge combines superior “attack” and “punch” for studio quality sound — even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass applications. Its cardioid pattern provides outstanding gain before feedback and superior rejection of unwanted sound, making the Beta 91 ideal for live concert applications. What’s more, the low profile design of the Beta 91 eliminates the need for external mounting hardware, while its heavy-duty Triple-Flex cable represents a significant improvement over its highly successful predecessor, the SM91A. And it all comes together in a durable design that lives up to Shure’s legendary standards for quality, reliability, and great sound.

From the brand

From the manufacturer

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NOTE: Cable NOT included.

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The Shure BETA 91A is designed for use with kick drums, as well as other traditional low-frequency applications including piano. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, BETA 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. The BETA 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPL).

The BETA 91A operates on phantom power. Also in the box: 1 – 95A2314 Storage bag

Shure BETA91A

Half-Cardioid Condenser Kick-Drum Microphone

Kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern. It features a two-position contour switch to maximize attack and clarity and a low-profile design.

Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments Two-position contour switch to maximize attack and clarity depending on application Requires no external mounting or accessories for ease of use and storage Furnished with zipper pouch Kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern

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Tabletop (Away)

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Polar Pattern (Example 1)

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Polar Pattern (Example 2)

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Frequency Response

  • Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
  • Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
  • Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
  • Two-position contour switch to maximize attack and clarity depending on application: select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack
  • Requires no external mounting or accessories for ease of use and storage
  • Furnished with zipper pouch.
  • Kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern. It features a two-position contour switch to maximize attack and clarity and a low-profile design.
  • Also in the box: 1 – 95A2314 Storage bag.

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